The Association for Recorded Sound Collections announced the winners of the 2019 ARSC Awards for Excellence in Historical Recorded Sound Research. The awards will be presented at a ceremony on May 23, 2020, during ARSC’s annual conference in Montreal, Canada. Additional information about the conference and the ARSC Awards for Excellence can be found at www.arsc-audio.org.
College of Arts & Sciences faculty won the Best History in the 2019 Association for Recorded Sound Collections Awards of Excellence for their bilingual book. Featured on Simpson Center for the Humanities
You Feelin Me? Knowledge and Being in Black Feminist Oceanographies Bettina Judd, Ph.D. October 25, 2019 3:30 p.m. MGH 251
Professor Marc Epprecht New African Queer Historical Studies Thursday, October 17, 2019 4:00 p.m. CMU 120 University of Washington
Congratulations to Iris Viveros Avendaño for the publication of her chapter, "Performing Polyrhythmic Resistance," in the newly published collection Transatlantic Malagueñas and Zapateados in Music, Song and Dance: Spaniards, Natives, Africans, Roma, edited by K.Meira Goldberg, Walter Aaron Clark and Antoni Pizà.
Celebrate the accomplishments of the 2019 Summer Institute in the Arts and Humanities undergraduate researchers, attend Bulrusher - directed by Valerie Curtis-Newton, and more! Featured on UW News
The American Council of Learned Societies (ACLS) has announced its newest Mellon/ACLS Public Fellows for 2019 which includes GWSS alum, Shuxuan Zhou. Dr. Zhou has been appointed as a Senior Researcher for the Seattle Office for Civil Rights.
We partied like students with the winners of this year’s Distinguished Teaching Awards Columns Magazine, Photos by Quinn Russell Brown, Video by Caean Couto
Columns - The University of Washington Alumni Magazine "Postdoc program brings new voices to Eastern Washington"
GWSS Assistant Professor Kemi Adeyemi has an article in Transgender Studies Quarterly, Volume 6, Issue 2. You can access the article "Oliverio Rodriguez's The Last Seduction/La Seducción Fatal (2015–): Activating the Obvious as Queer Technique," at Duke University Press.