| Bettina Judd. Feelin: Creative Practice, Pleasure, and Black Feminist Thought. Northwestern University Press, 2022. |
Publications, Books |
Art, Body, Critical Theory, Poetry and Poetics, Race and Ethnicity, Women of Color |
| Martha Gonzalez. Chican@ Artivistas: Music, Community, and Transborder Tactics in East Los Angeles. University of Texas Press, 2020. |
Publications, Books |
Activism, Art, Chicana/o, Social Change |
| Roundtable Discussion, "Let's Talk Facts! Globale Expert*innen zu Feminismen in Kunst und Gesellschaft" (Global Experts on Feminisms in Art and Society), Empowerment: Art and Feminisms, edited by Andreas Beitin, Katharina Koch, and Uta Ruhkamp, 112-121. Wolfsburg: Wolfsburg Kunstmuseum, 2022. |
Publications, Articles |
21st Century, Art, Feminism, Global Studies |
| Sasha Su-Ling Welland, "Die Frage des Feminismus in der Zetgenössischen Chinesischen Kunst," (The Question of Feminism in Chinese Contemporary Art), Empowerment: Art and Feminisms, edited by Andreas Beitin, Katharina Koch, and Uta Ruhkamp, 206-215. Wolfsburg: Kunstmuseum Wolfsburg, 2022. |
Publications, Articles |
21st Century, Art, Feminism, Global Studies |
| Sasha Su-Ling Welland. "Camouflaged Histories: Lei Yan as Chinese Guerrilla Girl." positions: asia critique 28.1 (2020): 87-119. |
Publications, Essays |
Art, Chinese, East Asian, Feminism, Gender |
| Sasha Su-Ling Welland. "Open Book." Viewpoint series exhibit of Elizabeth Murray and Anne Waldman: Her Story. Seattle: Henry Art Gallery, 2018. |
Publications, Essays |
20th Century, Art, Feminism, Museum Studies/Museology, Poetry and Poetics, Women |
| Sasha Su-Ling Welland. Cruel/LovingBodies [酷／爱⾝身体], bilingual Chinese/English exhibit catalogue, editor and translator, Beijing: 798 Space & Shanghai: Duolun Museum of Modern Art, 2004. |
Publications, Books |
Art, Chinese, Feminism, Gender, Politics of Representation, Transnational |
| Sasha Su-Ling Welland. “Die Frage des Feminismus in der Zetgenössischen Chinesischen Kunst” (The Question of Feminism in Chinese Contemporary Art), Empowerment: Art and Feminisms, edited by Andreas Beitin, Katharina Koch, and Uta Ruhkamp, 206-215. Wolfsburg: Kunstmuseum Wolfsburg, 2022. |
Publications, Articles |
21st Century, Art, Feminism, Global Studies |
| Sasha Su-Ling Welland. “On Curating Cruel/Loving Bodies,” Yishu: Journal of Contemporary Chinese Art 4.1 (2005): 17‐36. |
Publications, Essays |
Art, Chinese, Visual Culture |
| Sasha Su-Ling Welland. “Opening the Great Wall” [开放⻓长城], Chinese text translated by Mao Weidong, in Pain in Soul: Performance Art and Video Works by He Chengyao [⼼灵之痛：何成瑶的⾏行为艺术及影像]. Shanghai: Zendai Museum of Modern Art, 2007, 50-66. |
Publications, Essays |
Art, Art History, Chinese, Feminism, Gender, Transnational |
| Sasha Su-Ling Welland. “The Long March to Lugu Lake: A Dialogue with Judy Chicago,” Yishu: Journal of Contemporary Chinese Art, 1.3 (2002): 69-75. |
Publications, Essays |
Anthropology, Art, Chinese, Feminism, Gender, Transnational, Women |
| Sasha Su-Ling Welland. “Take One: Cruel/Loving Bodies,” Yishu: Journal of Contemporary Chinese Art 2. 3 (2003): 4-7. Served as assistant editor and translator for this special issue on “Women Artists.” |
Publications, Essays |
Art, Chinese, Feminism, Gender, Transnational |
| Sasha Welland. "Aesthetics." Cultural Anthropology, Theorizing the Contemporary Series, Keywords for Ethnography and Design, 2018. |
Publications, Essays |
Aesthetics, Anthropology, Art, Culture, Decolonial, Ethnography, Gender |
| Vosper, Michelle, ed. Creating Across Cultures: Women in the Arts from China, Hong Kong, Macau, and Taiwan. East Slope Publishing Ltd. (Muse, Hong Kong), 2017. |
Publications, Books |
20th Century, Art, Art History, Chinese, Culture, Dance, Oral History, Visual Arts, Women, Women of Color |
