Recent News

Portrait of artist Chloë Bass smiling at the camera, wearing an orange and gray striped shirt against a neutral background.

Chloë Bass: Soft Services Inspires GWSS Event Series on Care, Memory, and Connection

The Department of Gender, Women & Sexuality Studies is delighted to welcome Chloë Bass, a multiform conceptual artist whose work explores intimacy, public life, and the ways we care for one another.
Chloë Bass speaks into a microphone at a podium, shown in profile and gesturing with one hand during her lecture.

UW Daily Covers Chloë Bass’s Lecture Performance at the Henry Art Gallery

The UW Daily published a fantastic write-up of Swim Parallel to the Shore, the lecture performance by artist Chloë Bass, presented in collaboration between Gender, Women & Sexuality Studies (GWSS) and the Henry Art Gallery.
Portrait of writer and researcher Shuxuan Zhou, recipient of a 2025 Artist Trust GAP award.

Shuxuan Zhou Receives 2025 Artist Trust GAP Award

GWSS alum and affiliate faculty member Shuxuan Zhou (PhD 2017) has been awarded a 2025 Grants for Artist Projects (GAP) grant from Artist Trust in the literary category. These annual awards provide project-based grants of $1,500 each to artists across Washington State.
Dr. Chi-ming Yang standing with GWSS Chair Amanda Swarr and Linh Thủy Nguyễn from American Ethnic Studies following her talk at the University of Washington.

A Full House for Dr. Chi-ming Yang’s Talk on the Childhood Archives of Octavia E. Butler

On October 9, GWSS hosted Dr. Chi-ming Yang (University of Pennsylvania) for a packed and engaging talk, “A SciFi-Horse Girl’s Coming of Age: The Childhood Archives of Octavia E. Butler.”
Meany Center stage with University of Washington's "W" block in white on the screen with a purple background

UW Public Lectures

The University of Washington’s Public Lectures series once again offers an exceptional lineup of speakers and topics.
Light purple graphic with large white letters spelling “H E R” vertically. Each letter begins a word: “Her,” “Entrepreneurial,” and “Rise.” The words “Entrepreneurial” and “Rise” are underlined in dark purple, with small gold dots at the ends of the lines. In the bottom right corner, white and gold text reads: “Women’s Entrepreneurial Leadership Program Student Board.”

Podcast Launch: Season Two of Her Entrepreneurial Rise

If you believe entrepreneurship has the power to solve real-world problems—and you’re looking for stories that prove it—this podcast is for you. 
Upper body shot of Ramon wearing a long white jacket with hands clasped in front of him and leaning against a shelf of books.

Ramon Johnson Receives Two Graduate Awards for Excellence and Creativity

Congratulations to GWSS Ph.D.
Upper-body portrait of Nina Zafra sitting backward on a chair, smiling broadly with her arms resting across the chair back against a black background.

Nina Zafra Wins Best Undergraduate Paper in Labor Studies

Congratulations to GWSS alum Nina Zafra (B.A. 2025), recipient of the 2025 Best Undergraduate Paper in Labor Studies award. Her essay, “Why Do We Like to Play at Labor?
Upper body shot of Ramon wearing a long white jacket with hands clasped in front of him and leaning against a shelf of books.

Ramon Johnson Publishes Book Review in Men and Masculinities

Congratulations to GWSS PhD student Ramon Johnson, whose book review of Dr. Saida Grundy’s "Respectable: Politics and Paradox in Making the Morehouse Man" was recently published in the journal Men and Masculinities (Vol. 28, Issue 2, June 2025).
Book cover of "From Forest Farm to Sawmill: Stories of Labor, Gender, and the Chinese State" by Shuxuan Zhou. The title appears in bold blue, black, and red text above a black-and-white illustration of workers—mostly women—lifting and loading a large log onto a truck in a mountainous, rural setting.

Shuxuan Zhou’s From Forest Farm to Sawmill Continues to Receive Acclaim

Shuxuan Zhou (Ph.D. 2017) has received continued recognition for her book From Forest Farm to Sawmill: Stories of Labor, Gender, and the Chinese State (University of Washington Press, 2024).