| Author/Title |
Research Type |
Related Fields |
| Sasha Su-Ling Welland. Experimental Beijing: Gender and Globalization in Chinese Contemporary Art. Durham: Duke University Press, 2018. |
Publications, Books |
21st Century, Anthropology, Art History, Chinese, Digital Humanities, Ethnography, Feminism, Global Studies, Urban Studies |
| Vosper, Michelle, ed. Creating Across Cultures: Women in the Arts from China, Hong Kong, Macau, and Taiwan. East Slope Publishing Ltd. (Muse, Hong Kong), 2017. |
Publications, Books |
20th Century, Art, Art History, Chinese, Culture, Dance, Oral History, Visual Arts, Women, Women of Color |
| Sasha Su-Ling Welland. “Opening the Great Wall” [开放⻓长城], Chinese text translated by Mao Weidong, in Pain in Soul: Performance Art and Video Works by He Chengyao [⼼灵之痛：何成瑶的⾏行为艺术及影像]. Shanghai: Zendai Museum of Modern Art, 2007, 50-66. |
Publications, Essays |
Art, Art History, Chinese, Feminism, Gender, Transnational |
| Sasha Su-Ling Welland. “Ocean Paradise.”Journal of Visual Culture 6.3 (2007): 419-435. |
Publications, Essays |
21st Century, Anthropology, Art History, Chinese, Urban Studies, Visual Culture |
