| Christina Yuen Zi Chung and Sasha Su-Ling Welland, "Wandering Geographies: Aesthetic Practice along China's Belt and Road Initiative," Feminist Studies 47.2 (2021): 372-417. |
Publications, Essays |
21st Century, Aesthetics, Chinese, Decolonial, Feminism, Gender, Global Studies, Race and Ethnicity, Visual Arts |
| Yingyi Wang. (2021). Unfinished Revolution: An Overview of Three Decades of LGBT Activism in China. Made in China Journal. |
Publications, Essays |
Activism, Chinese, Feminism, Gender, Political Economy, Sexuality, Social Change, Social Justice, Women |
| Sasha Su-Ling Welland. "Camouflaged Histories: Lei Yan as Chinese Guerrilla Girl." positions: asia critique 28.1 (2020): 87-119. |
Publications, Essays |
Art, Chinese, East Asian, Feminism, Gender |
| Sasha Su-Ling Welland. Experimental Beijing: Gender and Globalization in Chinese Contemporary Art. Durham: Duke University Press, 2018. |
Publications, Books |
21st Century, Anthropology, Art History, Chinese, Digital Humanities, Ethnography, Feminism, Global Studies, Urban Studies |
| Sasha Su-Ling Welland. “World of the Visual: Introduction to Visual Arts Section.” In Creating Across Cultures: Women in the Arts from China, Hong Kong, Macau and Taiwan, ed. Michelle Vosper, 69. Hong Kong: East Slope Publishing, 2017. |
Publications, Essays |
20th Century, 21st Century, Chinese, Visual Arts, Women |
| Vosper, Michelle, ed. Creating Across Cultures: Women in the Arts from China, Hong Kong, Macau, and Taiwan. East Slope Publishing Ltd. (Muse, Hong Kong), 2017. |
Publications, Books |
20th Century, Art, Art History, Chinese, Culture, Dance, Oral History, Visual Arts, Women, Women of Color |
| Sasha Su-Ling Welland. “Opening the Great Wall” [开放⻓长城], Chinese text translated by Mao Weidong, in Pain in Soul: Performance Art and Video Works by He Chengyao [⼼灵之痛：何成瑶的⾏行为艺术及影像]. Shanghai: Zendai Museum of Modern Art, 2007, 50-66. |
Publications, Essays |
Art, Art History, Chinese, Feminism, Gender, Transnational |
| Sasha Su-Ling Welland. “Ocean Paradise.”Journal of Visual Culture 6.3 (2007): 419-435. |
Publications, Essays |
21st Century, Anthropology, Art History, Chinese, Urban Studies, Visual Culture |
| Shirley Yee. • "Dependency and Opportunity: Socioeconomic relations between Chinese and non-Chinese in New York City, 1870-1943," Journal of Urban History 33(January 2007): 254-76. |
Publications, Essays |
Race and Ethnicity, 20th Century, Chinese, Urban Studies |
| Sasha Su-Ling Welland. “What Women Will Have Been: Reassessing Feminist Cultural Production in China,” Signs: Journal of Women in Culture and Society 31.4 (2006): 941-66. |
Publications, Essays |
Chinese, Culture, Feminism |
| Sasha Su-Ling Welland. A Thousand Miles of Dreams: The Journeys of Two Chinese Sisters. Lanham, MD: Rowman & Littlefield, 2006. |
Publications, Books |
20th Century, Asian American, Chinese, Feminism, Gender, History, Literature, Medicine, Transnational, Women |
| Sasha Su-Ling Welland. “On Curating Cruel/Loving Bodies,” Yishu: Journal of Contemporary Chinese Art 4.1 (2005): 17‐36. |
Publications, Essays |
Art, Chinese, Visual Culture |
| Sasha Su-Ling Welland. Cruel/LovingBodies [酷／爱⾝身体], bilingual Chinese/English exhibit catalogue, editor and translator, Beijing: 798 Space & Shanghai: Duolun Museum of Modern Art, 2004. |
Publications, Books |
Art, Chinese, Feminism, Gender, Politics of Representation, Transnational |
| Sasha Su-Ling Welland. “Take One: Cruel/Loving Bodies,” Yishu: Journal of Contemporary Chinese Art 2. 3 (2003): 4-7. Served as assistant editor and translator for this special issue on “Women Artists.” |
Publications, Essays |
Art, Chinese, Feminism, Gender, Transnational |
| Sasha Su-Ling Welland. “The Long March to Lugu Lake: A Dialogue with Judy Chicago,” Yishu: Journal of Contemporary Chinese Art, 1.3 (2002): 69-75. |
Publications, Essays |
Anthropology, Art, Chinese, Feminism, Gender, Transnational, Women |
