| Alys Eve Weinbaum, Lynn M. Thomas, Priti Ramamurthy, Uta G. Poiger, Madeleine Yue Dong, and Tani E. Barlow, editors (The Modern Girl Around the World Research Group). The Modern Girl Around the World: Consumption, Modernity, and Globalization, Durham: Duke University Press, 2008. |
Publications, Books |
Gender, Transnational |
| Yingyi Wang. (2019). When tongzhi marry: experiments of cooperative marriage between lalas and gay men in urban China. Feminist Studies (45)1, 13-35. |
Publications, Essays |
Queer Studies, Social Justice, Socialism and Post-Socialism |
| Wolff, Michelle, David Rubin, and Amanda Lock Swarr. 2022. "The Intersex Issue: An Introduction." Transgender Studies Quarterly 9.2: 143-159. |
Publications, Essays |
Gender, Transgender Studies |
| Vosper, Michelle, ed. Creating Across Cultures: Women in the Arts from China, Hong Kong, Macau, and Taiwan. East Slope Publishing Ltd. (Muse, Hong Kong), 2017. |
Publications, Books |
20th Century, Art, Art History, Chinese, Culture, Dance, Oral History, Visual Arts, Women, Women of Color |
| Vinay Gidwani and Priti Ramamurthy. “Agrarian Questions of Labor in Urban India: Middle Migrants, Translocal Householding and the Intersectional Politics of Social Reproduction.” Journal of Peasant Studies, 2018, 45:5-6, 994-1017. |
Publications, Essays |
Oral History, Political Economy, South Asian |
| Swarr, Amanda Lock. Envisioning African Intersex: Challenging Colonial and Racist Legacies in South African Medicine. Durham: Duke University Press, 2023. |
Publications, Books |
African, Medicine, Queer Studies, Race and Ethnicity, Sexuality, Transgender Studies |
| Sasha Welland. "Aesthetics." Cultural Anthropology, Theorizing the Contemporary Series, Keywords for Ethnography and Design, 2018. |
Publications, Essays |
Aesthetics, Anthropology, Art, Culture, Decolonial, Ethnography, Gender |
| Sasha Su-Ling Welland. “Take One: Cruel/Loving Bodies,” Yishu: Journal of Contemporary Chinese Art 2. 3 (2003): 4-7. Served as assistant editor and translator for this special issue on “Women Artists.” |
Publications, Essays |
Art, Chinese, Feminism, Gender, Transnational |
| Sasha Su-Ling Welland. “Being Between: Can Multiracial Americans Form a Cohesive Anti-racist Movement beyond Identity Politics and Tiger Woods Chic?,” ColorLines: Race, Culture, Action, 6.2 (2003): 31-33. |
Publications, Essays |
American, Race and Ethnicity, Social Justice |
| Sasha Su-Ling Welland. “World of the Visual: Introduction to Visual Arts Section.” In Creating Across Cultures: Women in the Arts from China, Hong Kong, Macau and Taiwan, ed. Michelle Vosper, 69. Hong Kong: East Slope Publishing, 2017. |
Publications, Essays |
20th Century, 21st Century, Chinese, Visual Arts, Women |
| Sasha Su-Ling Welland. “What Women Will Have Been: Reassessing Feminist Cultural Production in China,” Signs: Journal of Women in Culture and Society 31.4 (2006): 941-66. |
Publications, Essays |
Chinese, Culture, Feminism |
| Sasha Su-Ling Welland. “The Long March to Lugu Lake: A Dialogue with Judy Chicago,” Yishu: Journal of Contemporary Chinese Art, 1.3 (2002): 69-75. |
Publications, Essays |
Anthropology, Art, Chinese, Feminism, Gender, Transnational, Women |
| Sasha Su-Ling Welland. “Opening the Great Wall” [开放⻓长城], Chinese text translated by Mao Weidong, in Pain in Soul: Performance Art and Video Works by He Chengyao [⼼灵之痛：何成瑶的⾏行为艺术及影像]. Shanghai: Zendai Museum of Modern Art, 2007, 50-66. |
Publications, Essays |
Art, Art History, Chinese, Feminism, Gender, Transnational |
| Sasha Su-Ling Welland. “On Curating Cruel/Loving Bodies,” Yishu: Journal of Contemporary Chinese Art 4.1 (2005): 17‐36. |
Publications, Essays |
Art, Chinese, Visual Culture |
| Sasha Su-Ling Welland. “Ocean Paradise.”Journal of Visual Culture 6.3 (2007): 419-435. |
Publications, Essays |
21st Century, Anthropology, Art History, Chinese, Urban Studies, Visual Culture |
| Sasha Su-Ling Welland. “List as Form: Literary, Ethnographic, Long, Short, Heavy, Light.” In Writing Anthropology: Essays on Craft and Commitment, edited by Carole McGranahan, 28-33. Durham: Duke University Press, 2020. |
Publications, Essays |
Anthropology, Ethnography, Nonfiction Prose |
| Sasha Su-Ling Welland. “Die Frage des Feminismus in der Zetgenössischen Chinesischen Kunst” (The Question of Feminism in Chinese Contemporary Art), Empowerment: Art and Feminisms, edited by Andreas Beitin, Katharina Koch, and Uta Ruhkamp, 206-215. Wolfsburg: Kunstmuseum Wolfsburg, 2022. |
Publications, Articles |
21st Century, Art, Feminism, Global Studies |
| Sasha Su-Ling Welland. Experimental Beijing: Gender and Globalization in Chinese Contemporary Art. Durham: Duke University Press, 2018. |
Publications, Books |
21st Century, Anthropology, Art History, Chinese, Digital Humanities, Ethnography, Feminism, Global Studies, Urban Studies |
| Sasha Su-Ling Welland. Cruel/LovingBodies [酷／爱⾝身体], bilingual Chinese/English exhibit catalogue, editor and translator, Beijing: 798 Space & Shanghai: Duolun Museum of Modern Art, 2004. |
Publications, Books |
Art, Chinese, Feminism, Gender, Politics of Representation, Transnational |
| Sasha Su-Ling Welland. A Thousand Miles of Dreams: The Journeys of Two Chinese Sisters. Lanham, MD: Rowman & Littlefield, 2006. |
Publications, Books |
20th Century, Asian American, Chinese, Feminism, Gender, History, Literature, Medicine, Transnational, Women |
| Sasha Su-Ling Welland. 2024. “Haikuology, for Kara, after Sonia Sanchez.” Anthropology and Humanism, http://doi.org/10.1111/anhu.12512. |
Publications, Articles |
20th Century, African American, East Asian, Ecocriticism, Ethnography, Medicine, Poetry and Poetics |
| Sasha Su-Ling Welland. "Open Book." Viewpoint series exhibit of Elizabeth Murray and Anne Waldman: Her Story. Seattle: Henry Art Gallery, 2018. |
Publications, Essays |
20th Century, Art, Feminism, Museum Studies/Museology, Poetry and Poetics, Women |
| Sasha Su-Ling Welland. "Camouflaged Histories: Lei Yan as Chinese Guerrilla Girl." positions: asia critique 28.1 (2020): 87-119. |
Publications, Essays |
Art, Chinese, East Asian, Feminism, Gender |
| Sasha Su-Ling Welland, “List as Form: Literary, Ethnographic, Long, Short, Heavy, Light,” Savage Minds: Notes and Queries in Anthropology, September 28, http://savageminds.org. |
Publications, Essays |
Anthropology, Culture, Ethnography, Nonfiction Prose |
| Sasha Su-Ling Welland, "Die Frage des Feminismus in der Zetgenössischen Chinesischen Kunst," (The Question of Feminism in Chinese Contemporary Art), Empowerment: Art and Feminisms, edited by Andreas Beitin, Katharina Koch, and Uta Ruhkamp, 206-215. Wolfsburg: Kunstmuseum Wolfsburg, 2022. |
Publications, Articles |
21st Century, Art, Feminism, Global Studies |
